I really wanted to love Lily Allen’s new song and video, “Hard Out Here."
It’s about time for an empowering, feminist response to “Blurred Lines” in the mainstream music industry. As much as I wish Allen’s song was the answer we’ve been waiting for, it’s truly not.
This woman’s body just produced a tiny, squirming human being—we should celebrate it for this incredible feat! Instead, the media chooses to focus on presumed “flaws" of a person's body post-pregnancy, encouraging Kate—and women like her—to return (and immediately: do not pass go, do not collect $200) to the body she inhabited before she gave birth.
I had sex for the first time shortly after turning 20 (about a year ago), but I wish I had done it sooner. I know I had been ready and willing at age 16 or so -- the problem was just that no one was interested in me that way, but in the other girls around me. It still hurts, in a bizarre and surprising way....
Today we've got the whole of a short interview that was excerpted in small part for a piece over at Ms. Magazine yesterday, Future of Feminism: Sex Education As a Human Right.
The added bonus of aiming for truly inclusive sex education is that it can also inform people about the sexualities, bodies, identities and lives of others different than their own, helping them to understand that even if and when their own rights aren't or don't seem to be impeded, the rights of others are and that needs to matter.
In Lebanon (or at least, in Beirut) the joke is that it is equally likely to see a woman in a mini skirt as it is to see a woman in a hijab.
In Lebanon (or at least, in Beirut), European tourists feel at ease that the Lebanese still speak a post-colonial French, and let Beirut be called the Paris of the Middle East.
In Lebanon (or at least, in Beirut), tourists and Lebanese alike flock to the beaches and the nightclubs, openly drinking alcohol, smoking hookahs, and belly dancing to both popular western and Arabic music, creating a strange moment that many see as cultural influence, and many others see as cultural infiltration.
Still—despite the post-colonial familiarity and acceptability of Lebanese culture—Lebanese women remain in many ways decorative objects, openly ignored, slighted or discriminated against in legislation.
The fact that myself, or Traister or any number of people think errors have been or are being made, or that all of this could be done better or worse doesn't mean we're right. We could be. We could also be wrong. It could be that despite it seeming like this thing or this other way of doing or saying that would have been the better move, that doing a given thing differently would have less impact.
Today I want to briefly address the way that the walks have been visually represented in the media and by many bloggers writing about them, especially those who have been nonsupportive or critical.
In a word, they have frequently been represented by photographs which expressly stated or just implied they represent what people at the walks looked like as a whole, and have been anywhere from just incorrect to exceptionally dishonest in those assertions or implications. Because as far as I can tell, the images that keep getting picked aren't those which are most representative of the protests as a whole, but which are most representative of what a given person either found most provocative or most interesting. Or, which best represent their reasons for nonsupport or mockery.